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一曲相思未了情
  • 一曲相思未了情

  • 主演:德克·博加德 卡普西尼 吉内瓦维·佩吉 
  • 导演:查尔斯·维多 乔治·库克 
  • 类型:剧情片
  • 简介:In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

《一曲相思未了情》详细介绍

影片名称:一曲相思未了情

影片别名:yiquxiangsiweiliaoqing

上映时间:1960年

国家/地区:美国

影片语言:英语

IMDB链接:1716686609

豆瓣评分:0.0

影片类型:剧情片

导演:查尔斯·维多,乔治·库克

主演:德克·博加德,卡普西尼,吉内瓦维·佩吉

视频集数:全集共1集

资源类别:正片全集未删减

资源更新:已完结

总播放次数:121次

入库更新时间:2024-05-26 09:05:29

剧情介绍:查尔斯·维多 乔治·库克 导演执导的《一曲相思未了情》,该影片在1960年美国发行,上映至今获得了较好的口碑, 每集分钟由德克·博加德 卡普西尼 吉内瓦维·佩吉 等主演的一部不错的英语的电视剧。

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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